









Persian Rug 250 x 350 cm Wool Hand-knotted
€ 1360
Hand-knotted Gabbeh Persian rug | Material: pile wool, warp cotton | Size: 250 x 350 cm | Pattern: Plain | Condition: As new
1 available
- ✓Free Shipping in EU
- ✓2-5 Business Days Delivery
- ✓14-Day Return Policy
- ✓Worldwide Shipping on request
SECURE PAYMENT
SHIPPING PARTNERSInventory number: AF5EC173
Description
Persian Rug
Material and Craftsmanship
This Persian rug has a pile made from high-quality wool and a cotton warp. The wool is hand-spun, giving the surface a natural tactile quality and a pleasantly substantial feel. Wool has long been valued in rug making for its comfortable handle and its ability to retain its shape with appropriate care. The cotton warp provides the underlying structure for the hand-knotting process.
Hand-knotting connects the individual knots to the supporting warp and creates a textile piece that is not produced as an industrial repeat. Each rug made in this way has its own material expression and surface character. The process belongs to the established craft traditions of oriental rug making. Hand-spun wool and manual knotting bring the character of traditional workmanship together with the straightforward appearance of a contemporary design.
The pile has a higher, soft-feeling surface that makes the rug comfortable underfoot. The interaction between the wool pile and cotton warp is important to the way the rug is experienced: wool determines much of the visible and tactile surface, while the warp forms the basis on which the knots are secured. This material combination also keeps the construction easy to understand and gives the rug a distinctly handmade identity.
Origin and Tradition
The rug comes from Iran, a country with centuries of carpet-making tradition. Iranian weaving culture encompasses the preparation and spinning of wool, the use of colour, the planning of designs, and the knotting and finishing of complete rugs. Persian rugs are known internationally for their hand craftsmanship and for the wide range of structures, layouts and colour concepts developed in different parts of the country.
Gabbeh is a recognised direction within the Iranian rug tradition. Gabbeh rugs are commonly associated with a more reduced approach to pattern and with a clearly perceptible pile. Their design does not necessarily depend on a dense field of small ornaments. Instead, the interaction of wool, colour and open space can become the central visual element. This restrained approach gives Gabbeh its own place alongside more elaborately decorated Persian rug types.
Iranian rug making developed in varied regional and cultural settings. Some rugs were produced in urban workshops using carefully planned drawings, while other traditions are more closely connected with village or nomadic weaving. These different contexts produced many approaches to borders, medallions, stripes, geometric forms, stylised figures and open fields. Gabbeh design is generally understood through its simplified visual language, where the material and the overall colour field carry considerable weight.
Historically, Iranian rugs served as practical floor coverings as well as textile furnishings for living spaces. Knowledge of preparing wool, arranging the warp and securing each knot was passed through families and workshops. Hand-spun wool reflects the close relationship between raw material and production in such traditions. The way the fibre is prepared affects the feel of the pile and helps make each hand-knotted rug an individual textile object.
Persian rugs are often discussed through a combination of origin, construction and design. Places such as Isfahan, Tabriz and Kashan each have an important role in the wider history of Iranian weaving and are associated with their own design developments. Those names describe broader traditions, not the origin of this particular rug. The origin given for this piece is Iran; no specific Iranian province or city is stated.
Design and Pattern
The rug is described as modern in style and plain in pattern. Its colours are warm and multicoloured. Together, these details point to a design whose effect comes from an integrated field rather than from a prominent medallion or a densely arranged ornament. The overall composition remains calm and cohesive, while the range of warm colours keeps the surface from appearing flat or strictly monochromatic.
Plain or largely open rugs have an established role in contemporary interiors. They can connect a group of furnishings without competing with every individual object in the room. Warm colour families are often used to create a welcoming interior atmosphere. On a wool surface, colour is experienced together with texture, so the visual impression depends not only on the hue but also on the way the pile catches light and responds to touch.
A contemporary design can still be connected to the principles of Persian rug making. Traditional rugs also rely on the relationship between ground, colour, proportion and the distribution of visual weight. In a reduced Gabbeh approach, these principles are expressed with fewer elements. Colour can take the place of a complex sequence of ornaments, while the pile creates depth within an otherwise simple field.
Persian rug history includes both floral and geometric pattern traditions. Flowers, vines, leaves, medallions, diamonds and stylised figures have been arranged in many different ways by regional workshops and weaving communities. This rug is specified as plain, however, so no individual motif should be assigned to it. Its stated design qualities are the modern style, the warm multicoloured palette, and the restrained overall pattern.
The rectangular format supports this clear visual approach and allows the rug to work with a variety of room layouts. Its design can sit within a traditional setting as well as a modern one, without requiring a particular furnishing scheme. The quiet pattern provides a textile foundation, while the warm colour description adds a welcoming presence and the wool pile reinforces the handmade character of the piece.
Special Features
This rug is suitable for use with underfloor heating. It can therefore be used in rooms where warmth is delivered through the floor. The hand-spun wool, hand-knotted construction and warm multicoloured appearance combine practical suitability with a clearly defined textile character.
The condition is described as as new. Its rectangular shape, modern design and plain pattern make it adaptable for living rooms, bedrooms or dining areas. The surface is intended to feel comfortable underfoot, while the natural combination of wool and cotton keeps the construction visibly connected to traditional rug making.
FAQ
How should I clean this Persian rug?
For routine care, vacuum the rug gently without using a brush attachment. This removes dust and loose particles while avoiding unnecessary stress on the wool pile. If something is spilled, dab the area promptly with a damp cloth rather than rubbing it. Rubbing can work the substance further into the pile and put additional strain on the surface. For a deeper clean or a persistent stain, a professional rug cleaner should be consulted.
How can I help preserve the warm colours?
Keep the rug away from strong, direct sunlight where possible, since ultraviolet light can gradually fade textile colours. Rotating the rug from time to time can also help distribute exposure and everyday wear more evenly. Gentle, regular cleaning keeps dust from accumulating in the pile and supports an even appearance across the warm multicoloured surface.
Is this rug suitable for allergy sufferers?
The rug is made from natural materials: wool in the pile and cotton in the warp. Natural materials generally release fewer allergens than synthetic materials. Like any textile floor covering, however, it can collect dust and other particles during use. Regular gentle vacuuming helps reduce this accumulation. Anyone with an existing allergy should also consider their individual sensitivity and maintain a consistent cleaning routine.
Additional information
| Color | |
|---|---|
| Size | |
| Shape | |
| Origin | |
| Material |
















