Persian Rug Tabriz 310 x 207 cm Wool Hand-knotted

Tabriz Persian Rug

Material and Craftsmanship

This Persian rug comes from the province of Tabriz and is hand-knotted. Its pile is made from 100% virgin wool, while both the warp and weft are made from 100% cotton. These materials have different roles within the textile: wool forms the visible, tactile surface, and cotton belongs to the supporting structure beneath it. The combination gives the rug a clearly defined hand-made construction rather than the uniform structure associated with a machine-made floor covering.

The wool is described as soft and pleasant to the touch. The source also characterizes it as warm, robust and suitable for the demands of everyday use. In hand-knotting, individual tufts are tied into the foundation one at a time. The surface is then worked into the intended shape and appearance. This method allows the design to be built gradually across the rug, with the craftsperson controlling the placement of each knot and the definition of the surrounding pattern.

The knot density is approximately 300,000 knots per square metre. Knot density is a technical measure that helps indicate how finely a rug can render lines, contours and small ornamental details. A dense knot structure allows a design to be resolved in more closely spaced elements and can support careful transitions between adjacent areas. It does not, by itself, identify a particular motif, but it explains the technical basis for a detailed hand-knotted surface.

Hand-knotting also means that this rug is a single handmade piece rather than one of a series of mechanically identical products. Each stage of its production contributes to the final textile surface. The named materials, the high knot density and the hand-knotted method together describe its construction. The result combines a wool pile with a cotton foundation and the regional craft tradition associated with Persian rugs.

Origin and Tradition

The rug originates in Persia, specifically in the province of Tabriz. Tabriz is one of the established carpet-producing regions of Iran and has a long association with finely drawn, hand-knotted rugs. The region’s carpet tradition brings together knowledge of structure, proportion, ornament and colour arrangement. Here, Tabriz is the stated geographical origin of the rug, not simply a name for a decorative element.

Persian carpet making has developed over many centuries. Its history is connected with domestic interiors, formal spaces and the wider textile culture of Persia. Skills were traditionally passed from one generation to the next, including the preparation of the foundation, the tying of knots, the shaping of the pile and the translation of a design into a woven surface. A hand-knotted Persian rug therefore represents both a finished household textile and a process of accumulated technical knowledge.

Tabriz became known for workshops in which drawing and execution were given particular attention. Regional production has included family businesses and specialist workshops, where experience with materials and pattern structure could be preserved and refined. The maker must understand how the warp and weft create the foundation, how the pile should be built, and how knot placement affects the clarity of the finished design. The stated knot density is part of this technical context because it influences the scale at which the pattern can be worked.

Persian rugs do not have one single regional appearance. Different weaving centres developed their own approaches to colour, borders, central arrangements and floral or geometric drawing. Tabriz is associated with a disciplined composition and a carefully articulated design tradition. The origin stated for this rug places it within that Persian regional context. It also distinguishes the rug from an Oriental rug made in another country: this is a Persian rug from the province of Tabriz.

Traditional workshop knowledge covers more than the visible ornament. It includes the relationship between the foundation and pile, the balance of the field and borders, the management of colour and the adjustment of the work as the rug progresses. Such knowledge was often transmitted through practical instruction in a family or workshop environment. Hand-knotting preserves this relationship between regional tradition and individual making, since the design is not simply printed on the surface but constructed knot by knot.

The long history of Persian rugs also explains why regional names continue to be important in carpet classification. A place name can refer to a body of technical knowledge, a design vocabulary and a local production tradition. It should not be confused with a claim that every rug from the region has the same pattern. In this case, the reliable regional facts are the Persian origin, the province of Tabriz and the hand-knotted construction.

Design and Pattern

The source classifies the rug as Oriental in style but does not name a specific pattern, medallion or colour palette. The design should therefore not be assigned a more precise motif than the information supports. Persian carpet design generally includes a broad vocabulary of flowers, leaves, scrolling vines, geometric forms, framed fields and repeating borders. These elements may appear alone or in combination, depending on the regional tradition and the individual workshop design.

A high knot density provides the technical possibility of drawing fine contours and relatively small decorative elements. With approximately 300,000 knots per square metre, a hand-knotted rug can reproduce a design with closely placed lines and carefully controlled transitions. Knot density is a statement about the structure and potential fineness of execution, not a substitute for the name of a pattern. Since no specific pattern is given for this rug, the description remains with its documented Oriental style and Tabriz origin.

Many Persian compositions are organised through a relationship between a central field and one or more borders. A border can frame the interior and establish a visual rhythm around the edge. The field may contain floral movement, repeated ornament or geometric order. Medallion compositions are also part of Persian carpet history, although a medallion cannot be stated as a feature of this particular rug because it is not identified in the source.

Ornament in Persian carpets can carry cultural associations as well as decorative purpose. Flowers and vines are often connected with gardens and the natural world, while repeated geometric forms can suggest balance and order. In different traditions, motifs may also be associated with protection, good fortune or prosperity. These are general interpretations within Persian design history. They should be kept separate from a claim about the exact symbolism or pattern of this individual rug, which has not been specified.

The appearance of a carpet design depends on the interaction of drawing, scale, colour placement and the distribution of empty and decorated areas. Hand-knotting turns the design into a textile image through a sequence of individual knots. Fine work can make borders more distinct and allow ornamental lines to remain legible across the field. In a Tabriz context, the relationship between careful drawing and precise execution is an important part of the regional design tradition.

No individual colours are named for this rug, so its colour scheme is not described in more detail here. Persian workshops traditionally use coordinated colour relationships to separate fields, borders and ornaments and to create hierarchy within a composition. The documented facts remain the relevant basis for this piece: it is a new, hand-knotted Persian rug from Tabriz, made with a virgin wool pile and a cotton warp and weft, and classified in the Oriental style.

Special Features

The rug is listed as new. It is described as suitable for underfloor heating and as pet-friendly and child-friendly. These properties relate to its intended use in different domestic settings. Suitability for underfloor heating means that it can be used in a room with this type of heating system. The temperature should not be set excessively high, so that the material is not subjected to unnecessary stress during use.

An authenticity certificate is included. It accompanies the rug’s documented classification and provides an additional piece of information for the purchase record. The other stated features are connected with its construction and origin: the rug is hand-knotted, has a pile of 100% virgin wool, uses 100% cotton for warp and weft, and comes from the province of Tabriz in Persia. These details describe the individual piece without adding an unrecorded provenance or pattern name.

Wool rugs benefit from careful, regular maintenance. The source recommends regular vacuuming, wiping with a damp cloth when needed and occasional professional cleaning. A hand-knotted rug should be treated gently during cleaning so that the pile and foundation are not exposed to unnecessary strain. These straightforward measures support everyday use while respecting the wool surface and the handmade structure.

FAQ

How should I care for this Persian rug?

Vacuum the rug regularly to remove dust and everyday dirt. The source recommends vacuuming at least once a week. If a small area needs attention, it can be wiped with a damp cloth. Occasional professional cleaning is appropriate when a more thorough treatment is needed. Because this is a hand-knotted rug with a virgin wool pile, cleaning should be gentle and controlled. Avoid excessive moisture and harsh treatment, since the pile, colours and cotton foundation should not be put under avoidable stress.

Is the rug suitable for underfloor heating?

Yes. This rug is described as suitable for underfloor heating. The heating temperature should not be set too high, so that the material is not unnecessarily affected. Moderate, even heat is appropriate for responsible everyday use. The rug should also lie flat and be used on a suitable floor surface. The stated suitability for underfloor heating is one of the product’s specific features and complements its description as a hand-knotted Persian rug.

How can I recognise a high-quality Persian rug?

Relevant indicators include knot density, even colour work, precise pattern drawing and careful construction. A higher knot density can support a finer rendering of details. Hand-knotted rugs also differ from machine-made products through the time-consuming way in which the surface is built. This rug combines hand-knotting with approximately 300,000 knots per square metre, a 100% virgin wool pile, a 100% cotton warp and weft, and an origin in Tabriz. The included authenticity certificate provides additional documentation for its stated classification.